Acoustic guitar stylist, and alternate tuning wizard
Willy Porter has teamed up with Guild to create the Willy Porter
Signature Model acoustic electric guitar. The Willy Porter Signature
guitar features an AAA Sitka Spruce top, Sitka Spruce bracing, solid
flame maple back and sides, a 1-piece mahogany neck and Madagascar
rosewood fretboard. This amazing guitar is a combination of old-world
guitar building and modern technology, along with Porter's own design
touches. Unique amenities include the Fishman Ellipse Matrix Blend
pickup system, a special binding package, bone bridge pins for the bass
strings/ebony bridge pins for the treble strings, and the patent pending
Guild graphite neck block system.
Players who want a versatile acoustic-electric for many types of open
tunings, who want a loud, touch-sensitive guitar with great articulation
and fans of Willy Porter and his playing style should prepare to fall in
love.
Acoustic guitar stylist, and alternate tuning wizard
Willy Porter has teamed up with Guild to create the Willy Porter
Signature Model acoustic electric guitar. The Willy Porter Signature
guitar features an AAA Sitka Spruce top, Sitka Spruce bracing, solid
flame maple back and sides, a 1-piece mahogany neck and Madagascar
rosewood fretboard. This amazing guitar is a combination of old-world
guitar building and modern technology, along with Porter's own design
touches. Unique amenities include the Fishman Ellipse Matrix Blend
pickup system, a special binding package, bone bridge pins for the bass
strings/ebony bridge pins for the treble strings, and the patent pending
Guild graphite neck block system.
Players who want a versatile acoustic-electric for many types of open
tunings, who want a loud, touch-sensitive guitar with great articulation
and fans of Willy Porter and his playing style should prepare to fall in
love.
The D55 Traditional Dreadnought Acoustic-Electric
Guitar from Guild has a full-bodied, high-volume body style that was
developed with an emphasis on string-to-string balance, so that treble,
mid and bass registers project evenly. Guild has been building
dreadnought acoustic guitars since 1963, and their instruments are
revered for their value, reliability, tone, responsiveness, outstanding
projection and sustain. The result is one of the most musically
versatile dreadnoughts anywhere.
Guild's flagship model, the D55 dreadnought guitar, was introduced in
1968 as a special order-only item, but the response was so strong that
within a few years it became a regular production model. The D55
acoustic guitar is prized by players worldwide, from George Strait to
Johnny Rzeznik (Goo Goo Dolls). This model features a spruce top,
rosewood back and sides, a three-piece mahogany neck, ebony bridge and
fingerboard with mother of pearl and abalone block position inlays, and
G -shield logo. The D-TARŠ Wave-Length /Load and Lock pickup system
makes amplifying this baby a plug-n-play cinch!
Nothing sings out as bold and true as a Guild jumbo
acoustic-electric guitar. They are the original Guild flat-tops, first
manufactured in Manhattan in 1954. From the beauty of the spruce and the
elegance of the rosewood to the depth of the nitrocellulose finish,
Guild proudly stands behind their quality materials.
In 1965, Guild offered its popular F-50 in a rosewood version. Like
those classic guitars, this F-50R Acoustic-Electric features a solid
rosewood back and sides with the same vintage specs as its predecessor.
It has a 4.8"-deep body, X" bracing pattern and a rosewood
bridge. The F-50R has a completely different sound and warmer tone than
its maple sibling, the F-50, and has been an instrument of choice for
players such as Bonnie Raitt, Bryan Adams and Dan Hicks. Features the
D-TAR Wave-Length/Load and Lock pickup system.
Nothing sings out as bold and true as a Guild jumbo
acoustic-electric guitar. They are the original Guild flat-tops, first
manufactured in Manhattan in 1954. From the beauty of the spruce and the
elegance of the rosewood to the depth of the nitrocellulose finish,
Guild proudly stands behind their quality materials.
In 1965, Guild offered its popular F-50 in a rosewood version. Like
those classic guitars, this F-50R Acoustic-Electric features a solid
rosewood back and sides with the same vintage specs as its predecessor.
It has a 4.8"-deep body, X" bracing pattern and a rosewood
bridge. The F-50R has a completely different sound and warmer tone than
its maple sibling, the F-50, and has been an instrument of choice for
players such as Bonnie Raitt, Bryan Adams and Dan Hicks. Features the
D-TAR Wave-Length/Load and Lock pickup system.
The D55 Traditional Dreadnought Acoustic-Electric
Guitar from Guild has a full-bodied, high-volume body style that was
developed with an emphasis on string-to-string balance, so that treble,
mid and bass registers project evenly. Guild has been building
dreadnought acoustic guitars since 1963, and their instruments are
revered for their value, reliability, tone, responsiveness, outstanding
projection and sustain. The result is one of the most musically
versatile dreadnoughts anywhere.
Guild's flagship model, the D55 dreadnought guitar, was introduced in
1968 as a special order-only item, but the response was so strong that
within a few years it became a regular production model. The D55
acoustic guitar is prized by players worldwide, from George Strait to
Johnny Rzeznik (Goo Goo Dolls). This model features a spruce top,
rosewood back and sides, a three-piece mahogany neck, ebony bridge and
fingerboard with mother of pearl and abalone block position inlays, and
G -shield logo. The D-TARŠ Wave-Length /Load and Lock pickup system
makes amplifying this baby a plug-n-play cinch!
The quality and ubiquity of Guild's jumbo 12-strings
have earned them a permanent place in guitar history. As historians Tom
and Mary Anne Evans once wrote, The basic virtue of Guild 12-strings is
that they are very loud and [have] a clarity and definition of sound not
normally associated with 12-string guitars."
One of the keys to achieving that clarity and definition is solid
construction. While the body size and scale length are the same as
Guild's 6-string jumbos, their 12-strings are 1-13/16" wide at the
nut, and feature a double truss rod system and their time-tested jumbo
bracing pattern.
Designed in the late 1960s as one of Guild's first jumbo 12-strings, the
F-412 has an arched curly maple back and solid curly maple sides.
Painstakingly true to its vintage roots, this version of the F-412 has
the same body dimensions as the original (17" wide, 21" long,
4.8" deep). It features a solid AAA sitka spruce top, high-quality
ebony fingerboard with abalone and mother of pearl block inlays,
G-shield headstock inlay and gold Grover Rotomatic tuning machines.
Features the D-TAR Wave-Length/Load and Lock pickup system.
The quality and ubiquity of Guild's jumbo 12-strings
have earned them a permanent place in guitar history. As historians Tom
and Mary Anne Evans once wrote, The basic virtue of Guild 12-strings is
that they are very loud and [have] a clarity and definition of sound not
normally associated with 12-string guitars."
One of the keys to achieving that clarity and definition is solid
construction. While the body size and scale length are the same as
Guild's 6-string jumbos, their 12-strings are 1-13/16" wide at the
nut, and feature a double truss rod system and their time-tested jumbo
bracing pattern.
Designed in the late 1960s as one of Guild's first jumbo 12-strings, the
F-512 has solid rosewood back and sides. Painstakingly true to its
vintage roots, this Acoustic-Electric F-512 has the same body dimensions
as the original (17" wide, 21" long, 4.8" deep). It
features a solid AAA sitka spruce top, high-quality ebony fingerboard
with abalone and mother of pearl block inlays, G-shield headstock inlay
and gold Grover Rotomatic tuning machines. Features the D-TAR
Wave-Length/Load and Lock pickup system.
Nothing sings out as bold and true as a Guild F50
Vintage Jumbo Acoustic-Electric Guitar. They are the original Guild
flat-tops, first manufactured in Manhattan in 1954. From the beauty of
the spruce and the elegance of the rosewood to the depth of the
nitrocellulose finish, Guild proudly stands behind their quality
materials.
Introduced in 1954, the F-50 was the top of the acoustic flat-top line
and was popularized by exceptional players such as Eric Clapton, who
graced the cover of the 1968 Guild catalog. This F-50 has many features
of the best 1960s instruments, with a 4.8"-deep body, a relocated
X" bracing pattern and a sculpted rosewood bridge. Other features
include a AAA spruce top and arched curly maple back and sides, an ebony
fingerboard with traditional mother of pearl and abalone block inlays, a
shell pickguard, G-shield headstock logo and gold Grover Rotomatic
tuning machines. Features the D-TAR Wave-Length/Load and Lock pickup
system.
Nothing sings out as bold and true as a Guild F50
Vintage Jumbo Acoustic-Electric Guitar. They are the original Guild
flat-tops, first manufactured in Manhattan in 1954. From the beauty of
the spruce and the elegance of the rosewood to the depth of the
nitrocellulose finish, Guild proudly stands behind their quality
materials.
Introduced in 1954, the F-50 was the top of the acoustic flat-top line
and was popularized by exceptional players such as Eric Clapton, who
graced the cover of the 1968 Guild catalog. This F-50 has many features
of the best 1960s instruments, with a 4.8"-deep body, a relocated
X" bracing pattern and a sculpted rosewood bridge. Other features
include a AAA spruce top and arched curly maple back and sides, an ebony
fingerboard with traditional mother of pearl and abalone block inlays, a
shell pickguard, G-shield headstock logo and gold Grover Rotomatic
tuning machines. Features the D-TAR Wave-Length/Load and Lock pickup
system.
Nothing sings out as bold and true as a Guild F50
Vintage Jumbo Acoustic-Electric Guitar. They are the original Guild
flat-tops, first manufactured in Manhattan in 1954. From the beauty of
the spruce and the elegance of the rosewood to the depth of the
nitrocellulose finish, Guild proudly stands behind their quality
materials.
Introduced in 1954, the F-50 was the top of the acoustic flat-top line
and was popularized by exceptional players such as Eric Clapton, who
graced the cover of the 1968 Guild catalog. This F-50 has many features
of the best 1960s instruments, with a 4.8"-deep body, a relocated
X" bracing pattern and a sculpted rosewood bridge. Other features
include a AAA spruce top and arched curly maple back and sides, an ebony
fingerboard with traditional mother of pearl and abalone block inlays, a
shell pickguard, G-shield headstock logo and gold Grover Rotomatic
tuning machines. Features the D-TAR Wave-Length/Load and Lock pickup
system.
Vintage F-40 body with sharp cutaway, patented Guild
Neck Block System, solid spruce top, solid Indian rosewood back and
sides, lacquer finish, bone nut and saddle, ivoroid bindings, Madagascar
rosewood fingerboard and bridge, pearl logo and new G shield, plus
abalone dot inlays. Features the exclusive D-TAR Wave-Length pickup.
Vintage F-40 body with sharp cutaway, patented Guild
Neck Block System, solid spruce top, solid Indian rosewood back and
sides, lacquer finish, bone nut and saddle, ivoroid bindings, Madagascar
rosewood fingerboard and bridge, pearl logo and new G shield, plus
abalone dot inlays. Features the exclusive D-TAR Wave-Length pickup.
An orchestra-size guitar with vintage F-30 body style,
a solid red spruce top, and solid mahogany back and sides, the Guild
CO-2C acoustic-electric features the patent pending GuildŽ Graphite
Neck Block System combined with traditional building techniques for
exceptional tone, playability, and longevity. A bound ebony fingerboard,
ebony bridge, abalone dot inlays, and ivoroid body binding underscore
the Contemporary Series' purpose: To satisfy a market seeking an
alternative to high-priced acoustics, with a better price point and a
more "woody" tone; also to satisfy players who want a
road-worthy guitar without compromising sound and playability.
The modern Guild Neck Block System is designed for more sustain and
better clarity, qualities strengthened even further by a bone nut and
saddle. The pure, rich tone of all solid woods will only improve with
age, thanks to a thin lacquer finish that allows the wood to age
naturally, while still providing the needed protection to make the Guild
CO-2C guitar road-worthy.
An orchestra-size guitar with vintage F-30 body style,
a solid red spruce top, and solid mahogany back and sides, the Guild
CO-2C acoustic-electric features the patent pending GuildŽ Graphite
Neck Block System combined with traditional building techniques for
exceptional tone, playability, and longevity. A bound ebony fingerboard,
ebony bridge, abalone dot inlays, and ivoroid body binding underscore
the Contemporary Series' purpose: To satisfy a market seeking an
alternative to high-priced acoustics, with a better price point and a
more "woody" tone; also to satisfy players who want a
road-worthy guitar without compromising sound and playability.
The modern Guild Neck Block System is designed for more sustain and
better clarity, qualities strengthened even further by a bone nut and
saddle. The pure, rich tone of all solid woods will only improve with
age, thanks to a thin lacquer finish that allows the wood to age
naturally, while still providing the needed protection to make the Guild
CO-2C guitar road-worthy.
An orchestra-size guitar with vintage F-30 body style,
a solid red spruce top, and solid mahogany back and sides, the Guild
CO-2C acoustic-electric features the patent pending GuildŽ Graphite
Neck Block System combined with traditional building techniques for
exceptional tone, playability, and longevity. A bound ebony fingerboard,
ebony bridge, abalone dot inlays, and ivoroid body binding underscore
the Contemporary Series' purpose: To satisfy a market seeking an
alternative to high-priced acoustics, with a better price point and a
more "woody" tone; also to satisfy players who want a
road-worthy guitar without compromising sound and playability.
The modern Guild Neck Block System is designed for more sustain and
better clarity, qualities strengthened even further by a bone nut and
saddle. The pure, rich tone of all solid woods will only improve with
age, thanks to a thin lacquer finish that allows the wood to age
naturally, while still providing the needed protection to make the Guild
CO-2C guitar road-worthy.
With a six-string grand orchestra body with sharp
cutaway, bone nut and saddle, solid red spruce top, red spruce scalloped
bracing, solid flame maple back and sides, and the D-TARŽ Wave-Length
Load 'N Lock pickup system, the Guild F47MC Acoustic-Electric Guitar
holds its own with all other U.S.-made guitars while staying true to the
Guild tradition of offering a more affordable instrument. Features like
white body and fingerboard binding, rosewood fingerboard and bridge, are
rare in this price range.
All-solid woods with a thin lacquer finish, the bone nut and saddle, and
a 16" lower body width combine to provide pure, rich tone, great
volume and balance with resonance and sustain.
Players who want the great Guild tone from the early 1960s in a Grand
Orchestra body with a cutaway and a pickup, and fingerstyle and
flat-pick players who need an instrument with great note articulation,
higher fret access and a pickup system the F47MC is your guitar.
The Guild Traditional Series F47RC Acoustic-Electric
cutaway dreadnought is comprised of solid Mahogany back and sides, a
solid Red Spruce top, a 3-piece Mahogany neck with a Rosewood
fingerboard and bridge. The F47RC guitar is outfitted with a D-TAR
Wave-Length Pickup and Preamp System that offers both mic and matrix
signal sources.
D-TAR Wave-Length Pickup and Preamp System with Load 'N Lock
Battery Access. The Wave-Length combines a think, piezo under-saddle
transducer with an 18v, low-noise, high input impedance preamp, to
create a system with twice the dynamic range of typical 9v systems. The
18v preamp is powered by two AA batteries and a voltage converter. With
18 volts, the signal has more headroom, so hard strumming won't distort
as easily.
The guitar's preamp also has an input for a second source, like a
magnetic pickup or a soundboard transducer. Two adjustable trim pots,
one for low frequency shelving and one for high frequency shelving,
allow you to fine tune and "set and forget" the bass and
treble frequencies to optimize the Wave-Length for your Guild F47RC
guitar's size and shape; enabling you to transparently amplify the
natural timbre of your acoustic guitar with minimal coloration. The
soundhole mounted Volume and Tone controls give the ultimate in final
control over your tonal palette. But perhaps the coolest part of the
system is D-TAR's new Load 'N Lock system, which allows quick and easy
battery changes. Just unscrew the endpin "collar," remove the
old batteries, and pop in the new ones. A quarter turn of the collar is
all you need to lock them in place.
The CO-1C model is one of Guild's Contemporary series
guitars. It features a Vintage F-30 guitar body with a rounded cutaway,
a natural finish, patented Guild Neck Block System, solid western red
cedar top, solid mahogany back and sides, Madagascar rosewood
fingerboard and bridge, bone nut and saddle, mahogany neck, ivoroid
binding, lacquer finish, pearl logo and abalone dot inlays.
The CO-1C also features the exclusive D-TAR Wave-Length pickup. The
Wave-Length pickup and pre-amp from D-TAR, with the exclusive Load 'N
Lock quick battery access system. Wave-Length is D-TAR's under-saddle
pickup system that combines a thin, piezo transducer with an 18-volt,
low-noise, high-input impedance preamp. Eighteen volts translates to
twice the headroom and dynamic range of a typical 9-volt system. This
means you can strum extra hard without experiencing dreaded piezo
"quack." Simply put, the Wave-Length is the most non-invasive
acoustic guitar pickup and preamp system ever, and is as sonically
spectacular as it is visually discreet.
Guild's D-50 Bluegrass Acoustic Electric Guitar is for
players who want the great early 1960s Guild in a larger,
dreadnought-body instrument, and for finger-style and flat-pick players
who need an instrument with great note articulation.
We're talkin' vintage D-50 specs, solid red spruce top and scalloped
bracing, mahogany back and sides, tortoise bindings, one-piece 20-fret
mahogany neck, Indian rosewood fingerboard and bridge, pearl dot inlays,
Grover Rotomatic tuning machines and bone nut and saddle.